After spending all night arguing with Barsalona, the band agreed to perform at Woodstock for $12,500. 4. Related. Years later, Captain Walker returns home and discovers that his wife has found a new lover. Tommy, can you see me? Oooh, Tommy, Tommy, Tommy, Tommy, Tommy, Tommy. [1] Although the album included lyrics to all the songs, indicating individual characters, it did not outline the plot, which led to a concert programme being prepared for shows, that carried a detailed synopsis.[1]. This removes Tommy's mental block, and he recovers his senses, realising he can become a powerful leader ("Sensation"). [37] The group started tour rehearsals and promotional activities for the single and Lambert went on holiday in Cairo. Tommy, can you hear me? Can you feel me near you? The Hawker's drug addicted wife, "The Acid Queen", gives Tommy a dose of LSD, causing a hallucinogenic experience that is expressed musically ("Underture"). Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon.They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work. General CommentI think the point of this song is the way it ends. [23][46], When it was released, critics were split between those who thought the album was a masterpiece, the beginnings of a new genre, and those that felt it was exploitative. (Alternate version) – 1:59, "Tommy's Holiday Camp" (Band's version) – 1:07, "We're Not Gonna Take It" (Alternate version) – 6:08, "Overture" (including introduction) – 7:00, "The Hawker (Eyesight to the Blind)" – 1:54. [2], A quack claims his wife can cure Tommy ("The Hawker"), while Tommy's parents are increasingly frustrated that he will never find religion in the midst of his isolation ("Christmas"). Interview with Pete Townshend at Manchester Arena, England, 12 December 1996, by Stephen Gallagher (British Youth & Popular Culture Editor, Ubu). Can I help to cheer you? Tommy has never had a definitive plot, but the following synopsis was published following the original album's release. You may only use this file for private study, scholarship, or research. Tommy Can You Hear Me Who Top Who Lyrics Who Are You Listening To You Won't Get Fooled Again Pure And Easy The Dirty Jobs Long Live Rock I Can See For Miles I Can't Explain Behind Blue Eyes Silas Stingy The Captain kills the lover in an altercation. [43] It sold 200,000 copies in the first two weeks in the US alone, and was awarded a gold record for sales of 500,000 on 18 August. Lyrics from Who's Tommy, The musical. [108], The orchestral version was also performed twice in Australia on 31 March 1973 at Melbourne's Myer Music Bowl and on 1 April at Sydney's Randwick Racecourse. Top Lyrics of 2009. by The Who from the The Studio Albums album - including song video, artist biography, translations and more! [13] The group still performed well live and spent most of the spring and summer touring the US and Canada,[14] but their stage act relied on Townshend smashing his guitar or Keith Moon demolishing his drums, which kept the group in debt. [28] "Amazing Journey" was, according to Townshend, "the absolute beginning" of the opera and summarised the entire plot. / Can I help to cheer you? [99][100], In 1970 Ferdinand Nault of the Montreal ballet group Les Grands Ballets Canadiens created the first dance-based adaptation of Tommy. ")[47] Key problems included an unclear explanation of what Tommy didn't hear or see in "1921", how or why he plays pinball, why "Smash the Mirror" leads into "I overwhelm as I approach you" (the opening line in "Sensation"), why Tommy tells his followers in "We're Not Gonna Take It" they cannot drink or smoke but can play pinball, and what the "you" is in "Listening to you, I get the music". Tommy Can You Hear Me? "Tommy Can You Hear Me?" He starts a religious movement ("I'm Free"), which generates fervor among its adherents ("Sally Simpson") and expands into a holiday camp ("Welcome" / "Tommy's Holiday Camp"). Looking for alternative work while recuperating, he responded to a request from the PACE Theatrical Group for the rights to a Broadway musical adaptation of Tommy. Older Tommy, only visible to young Tommy, who persistently stares at the mirror, sings to him ("See Me, Feel Me"). Mr Walker, in a desperate attempt to reach his son, shouts "Tommy, can you hear me?" "[89], Tommy remained in the Who's live set through the rest of the year and into 1970. [34], By March 1969, some songs had been recorded several times, yet Townshend still thought there were missing pieces. by Smithereens. [121] Anthony DeCurtis, writing in Rolling Stone, said the orchestra drummer had "the thankless task of having to reproduce Keith Moon's parts". [21], The album was recorded using an eight-track system, which allowed various instruments to be overdubbed. [112] As well as the Who, the film's music track and the original soundtrack LP also employed several session musicians including Caleb Quaye, Ronnie Wood, Nicky Hopkins, Chris Stainton, and longtime Who associate John "Rabbit" Bundrick. As well as the original album, the package includes additional demos, and a live performance mostly taken from the Who's show at the Capital Theatre, Ottawa, Ontario, Canada on 15 October 1969. [101] The ballet performance toured New York in April 1971, which included a light show and accompanying films by the Quebec Film Bureau. Print and download Tommy Can You Hear Me? 0. [35] Lambert wanted an orchestra to appear on the album, but Townshend was strongly against the idea, and time and budget constraints meant it could not happen anyway. Tommy, can you hear me? 992 likes. [40] The original double album was configured with sides 1 and 4 on one disc, and sides 2 and 3 on the other, to accommodate record changers. His parents take him to a respected doctor ("There's a Doctor"), who determines that the boy's disabilities are psychosomatic rather than physical. [98] They revived Tommy as a whole for its twentieth anniversary during their 1989 reunion tour, reinstating the previously overlooked "Cousin Kevin" and "Sensation", but still omitting "Underture" and "Welcome". Older Tommy, only visible to young Tommy, who persistently stares at the mirror, sings to him ("See Me, Feel Me"). Tommy was acclaimed upon its release by critics, who hailed it as the Who's breakthrough. The album had a hostile reception with the BBC and certain US radio stations, with Tony Blackburn describing "Pinball Wizard" as "distasteful". The CD reissue of the film soundtrack also included an additional Overture. [62], In 1998, the album was inducted into the Grammy Hall of Fame for "historical, artistic and significant value". It could not have happened at a lousier time. Popular Song Lyrics. Soundtrack listing. Soundtrack listing. [126] McAnuff revisited Tommy during the 2013 season of the Stratford Shakespeare Festival. You may only use this file for private study, scholarship, or research. referencing Tommy, 2xLP, Album, Ltd, Num, 613 013/4 I uploaded some images of the 3 side of my version from the Matrix / Runout (Record 2 - Side C, Stamped Variant 5): 613014 B//1 1 For those interested you can find the images also here: [128] The performance of the bluegrass version has been critically praised, with Rolling Stone marking the Hillbenders appearance at South by Southwest one of the "50 Best Things We Saw At SXSW 2015". Sessions were block-booked from 2pm – 10pm, but recording often spilled over into the early morning. ", and his parents notice he can stare at his reflection. Townshend thought Mike McInnerney, a fellow follower of Meher Baba, would be a suitable choice to do the cover. [21] There was no firm title at this point, which was variously referred to as Deaf, Dumb and Blind Boy, Amazing Journey, Journey into Space, The Brain Opera and Omnibus. By Cliff Gromer Last updated Oct 23, 2019. [71] He wanted to try and convey the world of a deaf, dumb and blind boy, and decided to "depict a kind of breaking out of a certain restricted plane into freedom. Joey Kennedy, a Pulitzer Prize winner, writes a column each week for Alabama Political Reporter. is a popular song by Anthony Barrile & Michael Arnold & Paul Dobie & Christian Hoff & Donnie Kehr & Norm Lewis & Michael McElroy & Lee Morgan & Timothy Warmen & Sherie Scott | Create your own TikTok videos with the Tommy, Can You Hear Me? More on Genius About “Tommy Can You Hear Me” 1 contributor Tommy was a deaf, dumb and blind kid, the star of the Who’s rock opera of the same name. ", This is a CD/SACD hybrid disc containing 5.1 mixes of all but the last five of these tracks, All tracks are from the Capitol Theatre, Ottawa, Ontario, Canada, 15 October 1969,[130] except for "I'm Free", "Tommy's Holiday Camp", "We're Not Gonna Take It" and "See Me, Feel Me" which are from Swansea City Football Club, 12 June 1976.[131]. [82] Townshend later said the group "did the whole thing from start to finish and that was when we first realized we had something cohesive and playable. 0. Let’s hear it, Coach Tommy. [2], Townshend had been looking at ways of progressing beyond the standard three-minute pop single format since 1966. Song lyrics to Broadway show. The live disc was significant, as it debunked a long-standing myth that the tapes for the tour were burned in preference for the Leeds University show in February 1970 that made up Live at Leeds. [84], The group continued to play large halls in the US, organised by tour promoter Frank Barsalona, and generally avoided festivals,[85] but made an important exception with the Woodstock festival on 16 August. [28] "The Hawker" was a cover of Sonny Boy Williamson's "Eyesight to the Blind". Townshend met with the group after the band's May 2015 performance in Nashville.[129]. [39] The running order was changed, and four songs ("Cousin Kevin", "Underture", "Sensation" and "Welcome") were dropped entirely. [34] Kit Lambert wrote a script, Tommy (1914–1984) which he professionally printed, and gave copies to the band, which helped them focus the storyline, and also decide to make the album a double. The concerts featured the Who, plus a guest cast, backed by the London Symphony Orchestra conducted by David Measham. The group have informed Pete Townshend and Roger Daltrey in order to get official blessing. [1], British Army Captain Walker goes missing during an expedition and is believed dead ("Overture"). Townshend used several guitars in the studio, but made particular use of the Gibson J-200 acoustic and the Gibson SG. Billboard Hot 100. [32] They resumed sessions at IBC in January 1969, block booking Monday to Thursday, but had to do gigs every weekend to stop going further into debt. Astley was able to access the original 8 track tapes and bring out instruments that had been buried, such as the guitar in "Christmas", the French horn in "Sparks", the cymbals in "The Acid Queen" and the organ in "We're Not Gonna Take it". The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker, a "deaf, dumb and blind" boy, including his experiences with life and his relationship with his family. [17] The Who biographer Dave Marsh subsequently said the interview described the narrative better than the finished album. [70] Townshend had originally considered Alan Aldridge for the cover. [80] In 2013, a super deluxe version of Tommy was released as a 3-CD / Blu-ray box set. He praised Townshend for deliberately constructing the album so that each song can be enjoyed individually and felt that he is determined to "give his audience what it wants without burying his own peculiarity". A number of interviews where Pete Townshend has commented on the concept and meaning of, This page was last edited on 14 January 2021, at 19:35. In a motherly fashion she attempts to make things better in “Tommy Can You Hear Me… Everyone is stunned when Tommy responds only to his uncle Ernie's playing the French horn. Oooh, Tommy, Tommy, Tommy, Tommy. [73] For this edition, the cover was revised to remove The Who's faces, which were originally placed at the request of the record label. The group introduced him to La Jolla Playhouse director Des McAnuff, and the pair began to develop the musical together. As recording was near completion, McInnerney received a number of cassettes with completed songs and a brief outline for the story, which he immediately recognised as being based on Baba's teachings. The final step was for record company approval from Polydor, making one concession that pictures of the band should appear on the cover. Townshend and Kit Lambert realised they needed a larger vehicle for their music than hit singles and a new stage show, and Townshend hoped to incorporate his love of Meher Baba into this concept. Mr Walker, in a desperate attempt to reach his son, shouts "Tommy, can you hear me?" [7] That year's The Who Sell Out included a mini-opera in the last track, "Rael", which like "A Quick One..." was a suite of musical segments joined together. The first use of the term was applied to a suite called "Quads", set in a future where parents could choose the sex of their children. [109][110] The Melbourne concert was videotaped, then televised by Channel 7 on 13 April 1973. [27] Other songs had been previously recorded by the Who and were recycled; "It's A Boy" was derived from "Glow Girl", an out-take from The Who Sell Out, while "Sparks" and "Underture" re-used and expanded one of the instrumental themes in "Rael". Lyrics to Tommy, Can You Hear Me? A cover of Mercy Dee Walton's "One Room Country Shack" was also recorded but was scrapped from the final track listing as Townshend could not figure out a way to incorporate it in the plot. G C G C G Can I help to cheer you? By Cliff Gromer Last updated Oct 23, 2019. [67] Bayles argued that it was more acceptable to audiences than the art rock "concoctions" of the time because of the cultural climate during the late 1960s: "Tommy was considered more authentic, precisely because it consists of hard rock, rather than doctored-up Mussorgsky ... and avoids the typical pseudoromantic themes of art rock (fairy-tale bliss and apocalyptic angst) in favor of the more up-to-date subject of popular culture itself. //